Munktell: Violin Sonata, Op. 21, 10 Mélodies & Kleines Trio
Show recording detailsBI 2204
Munktell: Violin Sonata, Op. 21, 10 Mélodies & Kleines Trio
Label Catalogue Number:
BIS-2204
BIS-2204
Running Time: 01:13:12
Release Date: January 2021
Originally recorded in 2020
Originally recorded in 2020
Genre:
Classical
Classical
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About
This is the first ever album devoted to the chamber music of Helena Munktell, one of the earliest female composers in Sweden. The daughter of an industrialist, Munktell received private lessons in piano and song from an early age, but soon also training in music theory and composition. In 1877 she visited Paris, where two of her sisters lived, and during the next thirty-odd years the city would be a second home to her. Here she studied with composers such as Benjamin Godard and Vincent d’Indy, and became a member of Société Nationale de Musique (SNM), an organization promoting French music and providing opportunities for young composers to have their works performed. A selection of Munktell’s songs had been performed, in Swedish, at a Society concert in 1892 and in 1900 they were heard again, but now in the French versions released the same year by the reputed musical publisher Alphonse Leduc. The Dix Mélodies are finely crafted musical scenes displaying a wide expressive range and variety of moods. Five years later another SNM concert saw the first performance of Munktell’s Violin Sonata in E flat major, by none other than the renowned Romanian violinist George Enescu. Franck’s famous A major Sonata, which Munktell knew well, served as an important source of inspiration in regards to the cyclic form and harmonic writing. The sonata soon appeared in print, now from E. Demets, another French music publisher. The third work on this album is a small-scale piano trio, probably an early work and possibly composed for performance at one of the musical salons at the Munktell family home in Stockholm.
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Reviews
“… Helena Munktell was a composer of considerable gifts, and her music is very well served on the new BIS recording. Recommended.”
Ken Meltzer – Fanfare – September/October 2021
"... All of the musicians are top notch, and I cannot imagine better performances..."
Joseph Magil – American Record Guide – May/June 2021
“… the slower, emotionally heavier songs have most impact and allow Munktell to demonstrate her propensity to mine something multilayered from something simple… Sofie Asplund’s pearly tone and innocent simplicity suit them well, as does Peter Friis Johansson’s knowing accompaniment.”
Andrew Mellor - Gramophone magazine - March 2021
“…This interesting disk opens with a half-hour Violin Sonata, Op. 21 written in 1905. It is a charming work in four movements, the second a lively scherzo… We also have ten "melodies: for version and piano. These miniatures were very popular at the time and often undated in concert programs Munktell wrote pleasant melodious music and these excellent performances are welcome additions to the catalog, doubtless mostly premiere recordings… the multi-channel audio is excellent …”
Robert Benson – ClassicalCDReview.com – February 2021
“A delightful monograph of a neglected but worthwhile Swedish composer who thrived in fin de siècle Paris… The playing (and singing) on this rewarding issue is an absolute delight from first note to last. It’s blessed with the usual de-luxe BIS sound, recorded in what seems to be the ideal ambience of the Giresta kirka at Örsundsbro in Uppsala county … For those who enjoy such things, the surround option emerges as vivid and impressively detailed, but this is chamber music and hearing it bouncing around the room still seems oddly synthetic for me – unlike BIS’s audiophile standard orchestral surround discs. Besides, the superb stereo … is absolutely ideal for this music. This is a lovely disc, tastefully packaged, and it merits the widest currency.”
Richard Hanlon – MusicWeb-International.com – 24 February 2021
“… In addition to a pleasing violin sonata and the Little Trio, there are ten songs on the programme, ten beautiful romances on French texts, charmingly sung by Sofie Asplund. Peter Fris Johannson plays the piano very sensitively, while the instrumentalists Tobias Ringborg, violin and Kristina Winiarksi also come up with appealing musicianship.” ****
Remy Franck – Pizzicato.com.lu – 10 January 2021
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